Find more prominent pieces of mythological painting at Wikiart.org – best visual art database. At age 14, he was admitted to study under Toyokuni, head of the Utagawa school. Many of Kunisada II's woodcuts, such as this original example, were created to illustrate scenes from Japanese folklore, popular novels, and beautiful women. After his master's death, he started using the name of Toyokuni IV. site search for Kunisada.de: only search Kunisada.de: Started in 2001 by Horst Graebner, member of the Society for Japanese Arts He did not sign prints “Kunisada II”. Works for sale (6) Auction results. He was born in 1786 in Honjo, an eastern district of Edo. A pupil of Utagawa Kunisada I, he signed much of his early work "Kunimasa III" with his earliest known prints date to 1844. Japanese Woodblock prints by Utagawa Kunisada II. ‘The Dragon’ was created by Utagawa Kunisada II in Ukiyo-e style. A pupil of Utagawa Kunisada I, he signed much of his early work "Kunimasa III" with his earliest known prints date to 1844. However, since there were three artists called Toyokuni before him, Kunisada II is now often known as Toyokuni IV. The album includes 27 multiple-sheet sets and 7 single-sheet prints, mostly … He died on 20 July 1880 and was buried at Banshōin Kōunji. Japanese artist and printer Kunisada was born in the Honjo district of Edo (now Tokyo) in 1786. Murasaki Shikibu Genji Karuta Auction Date: Apr 21, 2021 Estimate: £100 - £200 Description: TWO JAPANESE WOODBLOCK DIPTYCH PRINTS, UTAGAWA KUNISADA, LATE EDO PERIOD CIRCA 1860 A diptych from Kabuki titled ‘Yowa Nasake Ukina no Yokogushi’ or more popular ‘Kirare Yozo’ of Geisha Otomi being … The Utagawa Kunisada (Toyokuni III) - Project ... And a link to a special site of Utagawa Toyonobu’s Shinsen Taikōki series. Although not much is known of the details of Kunisada's life, there are some well-established records of particular events. This Japanese artist–related article is a stub. This 4 volume set is said to be one of Kunisada’s finest. You can help Wikipedia by expanding it. Kunisada’s family owned a small hereditary ferryboat service. Utagawa Kunisada II (Kunimasa III, Toyokuni IV) Iwai Kumesaburo II as the Courtesan Takao in Banzei Okuni Kabuki, c. 1827 Utagawa Kunisada II (Kunimasa III, Toyokuni IV) Memorial Portrait of Utagawa Kunisada I (Kochoro Toyokuni shozo), 1864 Utagawa Kunisada II (Kunimasa III, Toyokuni IV) The actor Ichikawa Kuzo II as Tanigoro, c. 1842 His first known print dates to 1807, his first illustrated book to 1808. His Buddhist posthumous name is Sankōin Hōkokujutei Shinji. Moreover, most prints signed 'Kunisada' and by Kunisada II are datable by censor or date seals to post-1850. A pupil of Utagawa Kunisada I, he signed much of his early work "Kunimasa III". Though his father, an amateur poet, died when Kunisada was a child, the family business provided some financial security. [1], Kunisada II's popularity waned in the Meiji period (1868–1912), and he appears to have stopped making prints after 1874. He produced many characters of … Kabuki actors’ backstage mirror dressers typify Edo sashimono. Available for sale from Scholten Japanese Art, Utagawa Kunisada II, Eight Views of the Flower Districts: Cherry Blossom Gate at Nakagawa, Odawara (1869), W… 1850-60 in Osaka) and Utagawa KUNIHISA (1832-1891). Their work was featured in several exhibitions at key galleries and museums, including the Galerie Welz and the Australian Galleries, Sydney.Utagawa Kunisada II's work has been offered at auction multiple times, with realized prices ranging from $30 USD to $95,067 USD, depending on the size and medium of the artwork. Utagawa Kunisada II was a Japanese ukiyo-e print designer, one of three to take the name "Utagawa Kunisada". Japanese Woodblock prints by Utagawa Kunisada II. 2,366 prints found. Around the time he changed his 'gô' from Kunisama to names such as Kunisada II, Ichijusai, Baichôrô, then Toyokuni in the early 1870s. See also categories: Utagawa Kunisada II and Utagawa Kunisada III. Utagawa Kunisada II (歌川国貞, 1823 – 20 July 1880) was a Japanese ukiyo-e print designer, one of three to take the name "Utagawa Kunisada". Many of Kunisada II's woodcuts, such as this original example, were created to illustrate scenes from Japanese folklore, popular novels, and beautiful women. It depicts a spring scene on the porch with a cat delivering a letter in cherry-blossom season. Notable Works. KUNISADA II (Toyokuni IV) was a pupil of KUNISADA I, and married his master's daughter in 1852. A small licensed and hereditary ferry-boat service belonged to his family, and the income derived from this business provided a certain basic financial security. His prints include over 40 series, mostly of actors (yakusha-e), as well portraits of beauties, illustrations of scenes from literature, erotica, and other subjects. Utagawa Kunisada II was a Japanese Asian Antiquities artist who was born in 1823. His father, who was an amateur poet of some renown, died in the year a… Kunisada trained under Utagawa Tokuyuni (1769-1825), producing prints in “traditional” genres such as kabuki, shunga, and historical prints. Utagawa Kunisada II was a Japanese ukiyo-e print designer, one of three to take the name "Utagawa Kunisada". He headed the Utagawa school. He often found his motifs in … https://en.wikipedia.org/w/index.php?title=Utagawa_Kunisada_II&oldid=1007742554, Articles containing Japanese-language text, Wikipedia articles with CINII identifiers, Wikipedia articles with KULTURNAV identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 19 February 2021, at 18:17. He changed his name once more following his master's death, to Toyokuni III. He signed his prints as Baido Kunimasa or Kunimasa III. Kunisada II was a disciple of the highly influential Utagawa School, and as such, took the name of his teacher, Utagawa Kunisada I (1786–1865). He illustrated nearly 200 books. Actors Nakamura Shikan IV in an unread role, Sawamura Tossho as Sakingo Yorikane, and Sawamura Tanosuke as keisei [courtesan] Takao, 1866. After his master's death, he started using the name of Toyokuni IV. Viewing prints 800 to 900. Biography of Kunisada II. (1) It is not surprising that Kyōden would treat such a subject because that was the genre which dominated his works. Other copies: Please note that Kunisada I was followed by Kunisada II and by Kunisada III. Kunisada II, a pupil of Utagawa Kunisada, placed his signature on the lantern in the foreground. Viewing prints 1,600 to 1,700. Following. Utagawa Kunisada II (歌川国貞, 1823 – 20 July 1880) was a Japanese ukiyo-e print designer, one of three to take the name "Utagawa Kunisada". Utagawa Kunisada II (akaBaido Kunimasa III, Toyokuni IV) does not have an image. He married his master's daughter in 1846 and took his master's name. Toyoshige died in 1835 and it took still some nine years before Kunisada was allowed to call himself Toyokuni (III). Apart from that, he changed his names frequently, much to the distress of today's collectors of Japanese prints. (2) Mokuami … 2,366 prints found. You can help Wikipedia by expanding it. [1] One of his most celebrated actor series, “The Tale of the Eight Dog Heroes” (Hakkendun inu no sōshi no uchi), dating from 1852, is drawn from Kyokutei Bakin’s epic novel, “The Satomi Clan and the Eight Dogs” (Nansō Satomi hakkenden), written from 1814-1842 and published in 106 volumes. Skip to end of content. Followers 32. I told you before, the genre of ukiyo-e is a messy science! Viewing prints 1 to 100. Utagawa Kunisada (Japanese: 歌川 国貞; also known as Utagawa Toyokuni III (三代歌川豊国); 1786 – 12 January 1865) was the most popular, prolific and commercially successful designer of ukiyo-e woodblock prints in 19th-century Japan. Kunisada I adopted him in 1846 after he married the master's daughter Osuzu. [1], Kunisada II worked in the style of his master, but never achieved the same level of success. His signature may be distinguished from that of Kunisada I in that the sada kanji is straight in the signature of Kunisada I, but angular in the signature of Kunisada II (see figure). Showing extraordinary promise at an early age, he was sent to study under the esteemed artist, Toyokuni, one of the great masters of the renowned Utagawa school of woodblock artists. View all works. Kunisada Utagawa II was born in 1823. Kunisada, also known as Toyokuni III, was born in the Honjo district of Edo as Kunisada Tsunoda. Further, Kunisada I took the name 'Toyokuni' in 1844, and never included the 'Kunisada' signature within the Toshidama cartouche, as Kunisada II often does in the 1850s and 1860s. Utagawa Kunisada lived in the XVIII – XIX cent., a remarkable figure of Japanese Edo period (1603–1867). A pupil of Utagawa Kunisada I, he signed much of his early work "Kunimasa III". Murasaki Shikibu Genji Karuta "ōju Tōto Utagawa Kunisada ga" [応需東都歌川国貞画] - by request/demand, ... as the new leader and he assumed the name Toyokuni (II). Utagawa Kunisada II - A Jôruri Performance of The Storehouse of Loyal Retainers, Act VI - Actors Ichimura Kakitsu IV as Tanegashima Gonroku, Nakamura Tsuruzô I as Metsubô Yahachi, and Ichikawa Danzô I as Tanuki no Kakubei.jpg Early Japanese woodblock print by Utagawa Kunisada I, later known as Toyokuni III, depicting the actor Sawamura Gennosuke II (who used the name Gennosuke through 1831) as Neshi Seijūrō (根師清十郎) portraying a samurai oppressing a peasant in a scene from kabuki theater in the play "Kawazu gake Soga no honsetsu" performed at the Kawarazki theatre in 1/1831. He married his master's daughter in 1846 and took his master's name. He headed the Utagawa school. He signed his prints as Baido Kunimasa or Kunimasa III. Find more works of this artist at Wikiart.org – best visual art database. Utagawa Kunisada II (歌川国貞, 1823 – 20 July 1880) was a Japanese ukiyo-e print designer, one of three to take the name "Utagawa Kunisada". Kunisada II: Kunisada II Utagawa (1823-1880) was a pupil of Kunisada (Toyokuni III). Sign in|Report Abuse|Print Page|Powered By Google Sites, The Lavenberg Collection of Japanese Prints, Sawamura Tosshō II, Bandō Sanpachi V, Ichikawa Kodanji IV and Ichimura Kakitsu IV [in the play Sandai Banashi Kōza no Shinsaku], 1863, Kawarazaki Gonjūrō, Nakamura Ganpachi, Arashi Kangorō, Seki Sanjūrō III, Sawamura Tanosuke III, Nakamura Ichō and Bandō Hikosaburō V [in the play Imayō Shuten Dōji], 1863, Bandō Hikosaburō V as Ukiyo Tohai, Ichimura Kakitsu IV as Nozarashi Gosuke and Ichikawa Danzō VI as Rokuji Namuemon [starring in a performance of Tsuru no chitose Soga no kadomatsu], 1865, Jōruri Chūshingura Nidan me Sannin Yakko from the play Chushingura Sugata no Eawase, 1865, Shichidanme (Act VII) from the series Jōruri Chūshingura, 1865, series Legends of the Loyal Retainers, 1863, Ōboshi Yuranosuke from the series Legends of the Loyal Retainers, 1866, Amakawaya Gihei from the series Legends of the Loyal Retainers, 1866, Kanpei's Wife Okaru from the series Stories of Virtuous Women, 1866, http://www.khm.uio.no/utstillinger2/flytende_verden/english/samlinger_khm_utagawa_kunisada_II.html, http://vangoghletters.org/vg/letters/let685/letter.html, Amakawaya Gihei from the series Legends of the Loyal Retainers, Bandō Hikosaburō V as Ukiyo Tohai, Ichimura Kakitsu IV as Nozarashi Gosuke and Ichikawa Danzō VI as Rokuji Namuemon, Hayano Kanpei from the series Legends of the Loyal Retainers, Jōruri Chūshingura Nidanme Sannin Yakko from the play Chushingura Sugata no Eawase, Kanpei's Wife Okaru from the series Stories of Virtuous Woman, Kawarazaki Gonjūrō, Nakamura Ganpachi, Arashi Kangorō, Seki Sanjūrō III, Sawamura Tanosuke III, Nakamura Ichō and Bandō Hikosaburō V [in the play Imayō Shuten Dōji], Ōboshi Yuranosuke from the series Legends of the Loyal Retainers, Sawamura Tosshō II, Bandō Sanpachi V, Ichikawa Kodanji IV and Ichimura Kakitsu IV [in the play Sandai Banashi Kōza no Shinsaku], Shichidanme (Act VII) from the series Jōruri Chūshingura. Around the time he changed his 'gô' from Kunisama to names such as Kunisada II, Ichijusai, Baichôrô, then Toyokuni in the early 1870s. He took the name Kunisada II c. 1850–51, about the time he inherited the house of Kunisada I. KUNISADA II (Toyokuni IV) was a pupil of KUNISADA I, and married his master's daughter in 1852. Kunisada II: Kunisada II Utagawa (1823-1880) was a pupil of Kunisada (Toyokuni III). [1], Little is known of Kunisada II's early life. Lot 233: TWO JAPANESE WOODBLOCK DIPTYCH PRINTS, UTAGAWA KUNISADA, LATE EDO PERIOD CIRCA 1860. Bio Japanese, 1823–1880. An original Japanese woodcut by Utagawa Kunisada II, A Scene From Hokusetsu bidan Jidai Kagami is printed on mid nineteenth century mulberry paper and with full margins as published by Wakasaya Yoichi in Edo (Tokyo) in 1864. Available for sale from Scholten Japanese Art, Utagawa Kunisada II, Actors Bando Hikosaburo and Kawarazaki Gonjuro I (1867), Woodblock triptych, 36 × 74.1 … Utagawa Kunisada II (歌川国貞, 1823 – 20 July 1880) was a Japanese ukiyo-e print designer, one of three to take the name "Utagawa Kunisada", and later headed the Utagawa school. Utagawa Kunisada II Kashiwagi, from The False Murasaki's Rustic Gengi (A Spring Scene on The Porch) This original Utagawa Kunisada II woodcut, Kashiwagi hails from The False Murasaki's Rustic Gengi (Nise murasaki inaka genji). UTAGAWA KUNISADA II (1823-1880) ... Kunisada II, Kunichika and Yoshitoshi. Utagawa Kunisada II (歌川国貞, 1823 – 20 July 1880) was a Japanese ukiyo-e print designer, one of three to take the name "Utagawa Kunisada", and later headed the Utagawa school. Kunisada’s work embodies the characteristics of the Utagawa school, focusing on traditional subjects such as kabuki, bijin (beautiful women), shunga (erotic prints), and historical prints. Utagawa Kunisada II. He produced many characters of … Signatures and Seals of Kunisada Utagawa 1786-1865 Kunisada Utagawa II worked in the studio of Kunisada I as a student. Utagawa Kunisada (Japanese: 歌川 国貞; 1786 – 12 January 1865), also known as Utagawa Toyokuni III (三代 歌川 豊国 Sandai Utagawa Toyokuni), was the most popular, prolific and commercially successful designer of ukiyo-e woodblock prints in 19th-century Japan.In his own time, his reputation far exceeded that of his contemporaries, Hokusai, Hiroshige and Kuniyoshi. His earliest known prints date to 1844. These guys too, used signatures that are similar by nature. Utei Enba II was a well-known satirist and frequently hosted many theatrical and literary assemblies. Overview. The album contains 34 striking images of kabuki actors by six late 19th century woodblock print designers: Utagawa KUNISADA I (1786-1864), Utagawa KUNISADA II (1823-1880), Toyohara KUNICHIKA (1835-1900), Utagawa KUNIAKI II (1835-1888), Utagawa YOSHICHIKA (fl. Before his marriage to Kunisada's daughter in 1846, his prints were usually signed Baidō Kunimasa; from then on he used the artist's name Kunisada II, until the death of his father-in-law in 1870, when he began to use the name Toyokuni IV. Utagawa Kunisada I (Toyokuni III), Visiting Komachi (Kayoi Komachi) (detail), from the series Modern Beauties as the Seven Komachi (Tōsei Bijin Nana Komachi), c. 1821-22, published by Kawaguchiya Uhei (Fukusendō), woodblock print: ink and color on paper, 36.5 x 25.5 cm ( Museum of Fine Arts, Boston) Students of his include Kunisada III (1848–1920).[1]. Little is known of Kunisada II's early life. Follow. Utagawa Kunisada II (歌川国定)(1823-1880) was a Japanese ukiyo-e printmaker, one of three to take the name "Utagawa Kunisada." Utagawa Kunisada II (歌川国貞, 1823 – 20 July 1880) was a Japanese ukiyo-e print designer, one of three to take the name "Utagawa Kunisada". This article about an engraver, etcher or printmaker is a stub. He took the name Kunisada after marrying his … His given name was Sumida Shōgorō IX (角田庄五朗), and he was also called Sumida Shōzō (角田庄蔵). Utagawa Kunisada was a Japanese artist known for his woodblock prints in the ukiyo-e style, similar to his contemporaries Ando Hiroshige, Katsushika Hokusai, and Utagawa Kuniyoshi. Japanese Woodblock prints by Utagawa Kunisada II. He headed the Utagawa school. He headed the Utagawa school. Utagawa Kunisada II (1823 - 1880) was a Japanese Ukiyo-e artist. A pupil of Utagawa Kunisada I, he signed much of his early work "Kunimasa III". A pupil of Utagawa Kunisada I, he signed much of his early work "Baidō Kunimasa III." Kunisada II usually signed prints either 国貞画 (Kunisada ga, drawn by Kunisada) or 国貞筆 (Kunisada hitsu, from the brush of Kunisada). In 1846 he married the eldest daughter of his master and took the name of Kunisada. He later adopted the name of Toyokuni, the school’s founder, and thus became Toyokuni IV. An original Japanese woodcut by Utagawa Kunisada II, A Scene From Hokusetsu bidan Jidai Kagami is printed on mid nineteenth century mulberry paper and with full margins as published by Wakasaya Yoichi in Edo (Tokyo) in 1864. 2,366 prints found. Author: Dieter Wanczura First Publication: 4/26/2009 Latest Update: 11/16/2020. Kunisada explored traditional themes, such as Kabuki Theater, samurai, and sumo wrestling, to great effect, becoming one of the most successful artists of his lifetime. Utagawa Kunisada ukiyo-e artist. Too, used signatures that are similar by nature illustrated book to 1808 's... Tokyo ) in 1786 now Tokyo ) in 1786 in Honjo, an eastern district of Edo ( now )... 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